Autoria i complicitat en "El gos tinent" de J. M. Benet i Jornet
DOI:
https://doi.org/10.46586/ZfK.2002.51-60Resum
Theatre plays are particularly suited to the self-thematization of theatre; so are the works of
J.M. Jornet i Benet such as El gos del tinent (1997). The setting, a brothel, and its actors are
examined in this article using Goffmann's analytical vocabulary in comparison to Jean
Genet's Le balcon as the equivalent of theatre.
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2002-07-01
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