Autoria i complicitat en "El gos tinent" de J. M. Benet i Jornet

Autor/innen

  • Lluís Quintana Trias Barcelona

DOI:

https://doi.org/10.46586/ZfK.2002.51-60

Abstract

Theatre plays are particularly suited to the self-thematization of theatre; so are the works of J.M. Jornet i Benet such as El gos del tinent (1997). The setting, a brothel, and its actors are examined in this article using Goffmann's analytical vocabulary in comparison to Jean Genet's Le balcon as the equivalent of theatre.

Veröffentlicht

01.07.2002

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