El <i>Glosari</i> d'Eugeni d'Ors i l'estètica del fragment
DOI:
https://doi.org/10.46586/ZfK.2002.43-50Resum
The Glosari of Eugeni d'Ors is usually seen in connection with the essay form. However, the
short and fragmentary texts of D’Ors can also be understood on the background of the
Romantic aesthetic of the fragment. In question here is how the individual fragments and the
whole relate to each other in the tensions between fragment and totality, fugacity and
permanence, accident and necessity. In contrast to representatives of modern aesthetics, the
noucentista D'Ors does not give up the claim to construct a totality.
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